They’re completely different things but we use the same word. The Harmonic Minor is a Natural Minor with a raised 7th degree which enables a Dominant V chord! Whatever note you put that one becomes the name of the scale. You’ll need to remember the interval pattern of the Harmonic Minor Scale: Tone, Semitone, Tone, Tone, Semitone, Augmented Second, Semitone. A root note gives the scale it's name. Don't spend a lot of time on this one unless you really know why you are learning it! The change comes in the seventh degree. The change comes in the seventh degree. It occurs when the 7th note of the natural minor scale is raised by a half step. So far, the seven-note scales we've discussed (major, natural minor, Mixolydian) are each a unique series of whole-steps and half-steps. The step is not raised in the key signature; instead, it’s raised through the use of accidentals (sharps, double sharps, or naturals). So place your second finger at the 3rd fret and you will play the G Major Scale (because the note on the 3rd fret of the 6th string is the note G). The harmonic minor scale is a variation of the natural minor scale. Then move by a semitone to the minor 3rd of Bb. If that don't make sense yet, you might not need to learn it! With each scale I have discussed my preferences for fingering the scale. This is note that gives the scale it's note name. Side note: Melodic and harmonic minor scales are nothing to do with melodic and harmonic intervals. These are also known as degrees. Figure 4.24. The mode was introduced by Moritz Hauptmann in the 1850s (and later named by Rimsky-Korsakov). ALWAYS START AND END ON THE LOWEST ROOT NOTE, LEARN THE PATTERNS (SHAPES) ONE AT A TIME. If that don't make sense yet, you might not need to learn it! The first minor scale we’ll look at is the natural minor scale. You can read my recent post for a recap of what the harmonic minor scale is and how it’s derived. The harmonic minor scale is used a lot in jazz, especially in vocabulary from the bebop and hard bop eras (the melody to “Donna Lee” is just one example). The harmonic minor scale, like any other scale, is a certain pattern of notes. There is no right and wrong. Now you can use this anywhere you want. The interval patterns for major and natural minor scales are basically the same pattern starting at different points. Place the second finger on the 9th fret and you will play the C Major Scale (because the note at the 9th fret of the 6th string is the note C#). A natural minor scale uses this formula of tones and semitones (whole steps and half steps). The harmonic minor scale on A. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). The sound of the Harmonic Scale is somewhat characterized by the music of the Middle East. The 7 harmonic minor positions We know from the harmonic minor lesson that the scale contains 7 tones.These are also known as degrees.The most practical way to learn the scale across the entire fretboard is to first build patterns around each degree, then link them together into one large pattern. In level of importance, I place this scale pretty low unless you are specifically looking to play classical (baroque) style music. In music theory, the term minor scale refers to three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just one as with the major scale. I have thought about these things a lot and think I have a compelling argument in favour of each finger decision, but please contact me (via the forum) if you disagree - I am certainly up for discussing it (how sad... get a life...). In level of importance, I place this scale pretty low unless you are specifically looking to play classical (baroque) style music. The Harmonic Minor Scale is common scale Classical and Neo-classical (Yngwie and co.), and a few modes of it are commonly used. It is a very popular and useful scale that can be used in many practical and creative ways. It is easy to predict where the relative minor of a major key can be found. The Harmonic Minor Scale is one of three minor scales. The most practical way to learn the scale across the entire fretboard is to first build patterns around each degree, then link them together into one large pattern. We know from the harmonic minor lesson that the scale contains 7 tones. The Harmonic Minor Scale is common scale Classical and Neo-classical (Yngwie and co.), and a few modes of it are commonly used. Look at any of the scales and arpeggios (and most chords) on this site and you will see an R on some notes. 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