But if you really want something and you search for it, you will find someone, somewhere who can put you in touch with someone else who opens a door,” Jacques says of her experience. A personal, hidden poetry transfuses it, whether the medium is fiber, collage, assemblage, or postcard. “One thing that unites all my artists, be they male or female, dead or alive, is they all have their own voice.”, On 18 November 2020 this article was emended to say “Sheila Hicks” rather than the “late Sheila Hicks”, Get alerts on Visual Arts when a new story is published, Alison Jacques is bringing a wave of marginalised artists who never “got their dues” to international glory, The super-gallerist putting women in the picture, ‘It’s finally got to rural America’: coronavirus surges in the Dakotas, UK dismisses ‘derisory’ EU fishing offer ahead of last-ditch trade talks, Saudi Arabia seeks to resolve Qatar crisis as ‘gift’ to Joe Biden, North Korea executes forex trader as Kim tightens grip on economy, McDonald’s Chris Kempczinski: ‘Our menu is very Darwinian’, Global stocks close in on best-ever month, Delta and Alitalia to launch ‘quarantine free’ flights from US to Italy, HSBC considers exit from US retail banking, How AstraZeneca and Oxford found their vaccine under fire, Quintessentially concierge service set up escort agency’s website, Philip Green’s Arcadia on brink of collapse, Doubts raised over AstraZeneca-Oxford vaccine data, Investors right to see through the gloom to economic upturn, The risks in the power of stock market indices, What Mrs Watanabe can tell us about how to handle low returns, ‘Citgo 6’ oil executives found guilty in Venezuela, Goldman leads Wall Street bulls as markets ride high, ‘Boy, did we screw up’: 12 rules for repentance, What the dream hoarders get wrong about parenting, No-deal Brexit is the UK’s biggest economic threat, not Covid, The grown-ups are back in charge in Washington, Vaccines not politics are driving the soaring markets, It’s a wrap: the FT Magazine’s Christmas gift guide, ‘My brain is in a war it will lose’ — writing with Huntington's disease, a well-deserved retrospective at the Tate Modern last year, African-American photographer Gordon Parks. It starts with my passion and belief in the work. It was fantastic,” says Jacques. Lenore Tawney (1907 - 2007) was an American artist known for her groundbreaking work in fiber as well as for her drawings, collages, and assemblages. 1927. It wasn’t until she made the body of work when she was dying from lymphoma, of photographs of herself bloated and losing her hair, that people accepted her.” The gallery was the first in Europe to hold a solo exhibition of Wilke’s work. Skip to content The Foundation Tate bought a small piece, and the purchase set in motion a relationship with Jacques and Wilke’s estate and archive that eventually resulted in the public gallery purchasing the largest installation Wilke ever made – prices now reach up to $1m for large installations (though small drawings can start from around $35,000). Karsten was giving out gingerbread men to all the gallerists. Two years ago, Jacques also took on the Lenore Tawney estate. Lenore G. Tawney Foundation “The art of Lenore Tawney is multifaceted—yet all of one piece. It’s a similar story with Betty Parsons, the late New York gallerist celebrated for championing new American painting by the likes of Mark Rothko and Jackson Pollock, but whose success often overshadowed her own role as an artist. Maria Bartuszová, for example, is a Slovakian artist who, during her lifetime, made distinctive, organic-looking white plaster sculptures, which currently sell for between €65,000 and €700,000. Notable exceptions are Ana Mendieta and Hannah Wilke, as is the latest artist to join the gallery, the octogenarian French-Moroccan figurative sculptor Nicola L, whose “functional and playful sculptures”, also praised in a design context, often explore female objectification and the domestic. You’ve just got to put energy into it”. She came back to London, briefly working for Victoria Miro before Leslie Waddington on Cork Street offered her a full-time job. If an artist is truly great they will get there, if given the right platform. Jacques was also able to capitalise on the fact that there wasn’t a strong market for a generation of older female artists when approaching Lygia Clark’s estate. “It was much harsher for them as women than I think it is for us now,” says Jacques. Jacques’s exhibition of Parsons’s paintings, gouaches on paper and sculptures last year was the first London exhibition for nearly 40 years, and one of the hottest tickets during Frieze Week. 1927. Jacques’s process for discovering her now-impressive roster of female names has been instinctive. A job as news editor at Flash Art magazine in Milan followed, under whose auspices a trip to the now-legendary UnFair in Cologne planted the idea of having her own space. “A tiny stained-glass painting. Studies sculpture with Alexander Archipenko, drawing with Laszlo Moholy-Nagy, drawing and watercolor painting with Emerson Woelffer, weaving with Marli Ehrman, Further studies with Archipenko in Chicago and at his studio in Woodstock, NY, Lives in Paris and travels extensively throughout Europe and North Africa, Studies tapestry with Martta Taipale at Penland School of Crafts, Penland, NC, Travels throughout Greece and Near East to Lebanon, Jordan, Syria, and Egypt, Tapestry commissioned by Marshall Field, North Shore Shopping Center, ChicagoMember, textile design panel, American Craftsmen’s Council’s (now American Craft Council) First National Conference of Craftsmen, Asilomar, CA, Commissioned by the Interchurch Center to create a large tapestry for the narthex of the chapel in its new building on Riverside Drive, New York, Studies gauze weave with Lili Blumenau; explores gauze-weave techniques, Designs an “open reed” for her loom, allowing the shape of the works to change as they are woven. He was so knowledgeable. Born in Lorain, OH, daughter of Sarah Jennings and William Gallagher. She began carving her niche in 2007, three years after opening her eponymous gallery space, with the American performance artist and sculptor Hannah Wilke, known for her pieces exploring sexuality, femininity, and reclaiming the female body from the male gaze. Lenore Tawney (left) with her mother and siblings, Lorain, OH, ca. Today, her paintings can command prices between $75,000 and $1m. We started selling to museums straight away.” Part of Jacques’s agenda is to show how well these overlooked female artists can sit alongside well-known contemporary artists. Among the stands of Maureen Paley, Karsten Schubert and Jay Jopling, “I really sensed this collegial atmosphere”, says Jacques. From the start, she set an ambitious programme, selling out her first show of Jack Pierson sculptures at £65,000 per work. When it comes to the art market, she is the queen of old ladies. 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