And the message, which is always fugitive, hides beneath a flexible technique… Dorothea Tanning was 100. Jacques had some experience with estates, having taken on Robert Mapplethorpe’s in 1999, when she was in partnership with fellow gallerist Charles Asprey, running Asprey Jacques. Studies art (art therapy) at University of Illinois, Attends Institute of Design, Chicago. 1913. Many of the artists Jacques has added to her roster have yet to gain widespread recognition. “A lot of well-known gallerists in New York had tried for years to get through to the Clark family and had been met with silence,” she says. Made in the ’70s and ’80s, these were the only works that Tanning had always wanted – and never had – exhibited in a group. Moves to Chicago. She came back to London, briefly working for Victoria Miro before Leslie Waddington on Cork Street offered her a full-time job. Today, her paintings can command prices between $75,000 and $1m. “Maybe it’s a bit idealistic, but I believe that if an artist is truly great then they will get there if given the right platform. Works as proofreader for publisher of court opinions and attends evening classes at the Art Institute … Although a large number of Jacques’s roster is female, feminism is not necessarily at the heart of their practices. “The curators came and could visualise the works in a museum. A job as news editor at Flash Art magazine in Milan followed, under whose auspices a trip to the now-legendary UnFair in Cologne planted the idea of having her own space. Focusing on the art historical and female artists who were not getting their dues was also a way to future-proof the gallery against “the increasing number of situations when large ‘supermarket’ galleries try to take what we have built,” she says, referring to the poaching of emerging artists just at the point that they start to gain recognition. It starts with my passion and belief in the work. Projects with Glasgow International, Sydney Biennial and the Hayward followed Jacques’s decision to represent Sheila Hicks in 2012, after coming across her work at the São Paulo Biennial. She was too beautiful. Eventually I was allowed to go in.” She spotted some collages at the back of a hallway that had rarely been shown. Commissioned by Congregation Solel to create the ark veil for its new building in Highland Park, IL, During First World Congress of Craftsmen, sponsored by American Craftsmen’s Council in New York, visits New Jersey factory to see an industrial Jacquard loom, Studies Jacquard harness at Textile Institute, Philadelphia, PA, Begins a series of drawings inspired by Jacquard loom, Included in Wall Hangings which premieres at the Museum of Modern Art, New York and tours nationally, Included in Objects: USA, The Johnson Collection of Contemporary Crafts which premieres at National Collection of Fine Arts, Washington, D.C. and tours nationally and internationally, Triune (1961) acquired by Metropolitan Museum of Art, New York, Waters Above the Firmament (1976) acquired by Art Institute of Chicago, Born in Lorain, OH, daughter of Sarah Jennings and William Gallagher, Works as proofreader for publisher of court opinions and attends evening classes at the Art Institute of Chicago, Resides In Urbana, Illinois. Jacques worked with the Foundation to promote some of his lesser-known bodies of work – from Polaroids to unique sculptures to jewellery – and began to build a specialist reputation. But Jacques approached Clark’s son with a personal note. Working directly with women in the later stages of their careers, or posthumously with their families and estates, Jacques has a superlative eye, and a tenacity that’s inspiring. “Wilke had had a rough ride even from her contemporaries in the ’70s. Next autumn, Hicks has a major solo at Hepworth Wakefield, with curator Andrew Bonacina. The Fitzrovia gallerist has established herself among the most prominent international galleries to focus on repositioning female artists overlooked in the canon of art history. This autumn saw a solo exhibition of the late African-American photographer Gordon Parks, following a stunning solo booth at Frieze Masters last October. At the time, the American photographic artist was not being shown in museums. When it comes to the art market, she is the queen of old ladies. It was fantastic,” says Jacques. Tate bought a small piece, and the purchase set in motion a relationship with Jacques and Wilke’s estate and archive that eventually resulted in the public gallery purchasing the largest installation Wilke ever made – prices now reach up to $1m for large installations (though small drawings can start from around $35,000). Among the stands of Maureen Paley, Karsten Schubert and Jay Jopling, “I really sensed this collegial atmosphere”, says Jacques. He was so knowledgeable. Jacques’s hard work helped to get Tanning a well-deserved retrospective at the Tate Modern last year. You’ve just got to put energy into it”. It was exquisite,” Jacques recalls. Creates “woven forms”Moves to Thomas Street, and then to Beekman Street, New York, Twenty-two of Tawney’s new “woven forms” are exhibited in the seminal, Begins work in collage and assemblage; creates first postcard collages, Travels throughout Far East to Japan and Thailand, with extended stay in India, Moves to East 4th Street, New YorkMeets Swami Muktananda, Integrates weaving and paper collageTravels to Guatemala, Elected Fellow of American Craftsmen’s Council (inaugural group), Moves to Quakertown, NJReceives General Services Administration commission for lobby of Santa Rosa Federal Building, Santa Rosa, CA, Artist-in-residence, University of Notre Dame, IN, Receives National Endowment for the Arts Craftsman’s Fellowship Grant, Artist-in-residence, Fabric Workshop, Philadelphia, PATravels to Taiwan and India, Distinguished Lecturer, University of Arizona, Tucson, AZReceives American Craft Council’s Gold Medal Award, Awarded Honorary Doctorate Degree, Maryland Institute College of Art, Baltimore, MDInstallation of, Receives Master of the Medium Award, Renwick Alliance, Washington, DC, Receives Visionaries Award, American Craft Museum (now Museum of Arts and Design), New York, NY. In her 20s, a postgraduate curating course in Prato led to a placement at the Kunstverein Düsseldorf, where then-director Jiri Svestka saw her potential and charged her with curating light-installation artist James Turrell’s first travelling show. You’ve just got to put energy into it.”. Lenore Tawney (1907 - 2007) was an American artist known for her groundbreaking work in fiber as well as for her drawings, collages, and assemblages. “He really took me under his wing. 1927–42. A personal, hidden poetry transfuses it, whether the medium is fiber, collage, assemblage, or postcard. Jacques’s aim was to reposition Tanning as something far more than Max Ernst’s ex-wife. And for two decades, she has worked with artists such as Graham Little – an exceptional British painter with one of the most interesting and sensitive approaches to figurative art. Well-Deserved retrospective at the Tate Modern last year and see in the Design.... 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