Please note that in this “All About” we’re talking about tonewoods in solidbody and semi-acoustic electrics. Before I go any further let's take a look at pine and see how "soft" it is. NY 10036. I'll be using the published Janka Wood Hardness Scale. It’s a medium-weight wood, although quality cuts of alder used for guitar bodies will often weigh less than denser cuts of ash. These are mostly hard, dense woods with distinctive grain patterns. Jul 27, 2012 #13 pine teles tend to have a strong mid presence and subdued trebles - a good thing IMO. Adding a solid maple top to a solid mahogany back yields a guitar body that exhibits many of the best tonal properties of both woods. non. '.webs.com' : 'none'; --> On a well-made guitar, basswood can yield good dynamics and definition with enough grind to give the sound some oomph. Ebony also wears very well, and it doesn’t divot under years of finger-and-string pressure nearly as easily as rosewood does. Furthermore, these components can be of single- or multi-wood construction. Although well-balanced sonically, poplar bodies aren’t particularly resonant or sustaining, and they generally don’t seem to enhance any particular frequency range or overtones. Many guitar manufacturers as a substitute for alder are using this wood, as it is quite similar in tone. Get the latest news, reviews and product advice straight to your inbox. pine is also a little more prone to warping then most hard woods however I solve this problem with my 4 piece construction method. Rosewood makes for a very heavy and overly bright-sounding guitar—and an expensive one, too—that is typically more of interest for looks and novelty factor than for tone. This more porous, open wood doesn’t quite have maple’s hardness, strength, or stability, however, and it isn’t suitable as a fretboard material. White limba—as used by Gibson and Hamer—has a light appearance in its natural state, and black limba has a more pronounced grain. Bear in mind that woods of the same species cut from different trees (or grown in different regions) will sound slightly different, and have different weights, different densities, and so on. Its high end is usually not as over-pronounced as people might think, although it is a characteristically bright neck-wood choice. Hart Pine: 1225(my personal favorite rare hard to find), Southern Yellow Pine (Longleaf): 870(I use this one the most), Southern Yellow Pine (Loblolly & Shortleaf): 670. Korina. The colors can be appealing in their natural states, and they are usually used as one ingredient of many in a multi-wood body. Is this list complete? V. vanguard Member. Even among my alder strats, there is a clear and audible tonal difference that effect where the frequencies lie. Dense and fairly heavy, with sonic characteristics similar to those of mahogany, walnut is occasionally used in electric-guitar bodies. Thank you for signing up to GuitarPlayer. Walnut’s rich brown color and often pleasing grain patterns means it looks good under a simple coat of translucent lacquer. Good swamp ash is both light and resonant, and generally carries a broad grain that looks great under a translucent finish. Alder, Soft Maple and Cherry are unacceptably soft as well. '&utmxhash='+escape(h.substr(1)):'')+'" type="text/javascript" charset="utf-8">')})(); 's://ssl':'://www')+'.google-analytics.com'+'/siteopt.js?v=1&utmxkey='+k+'&utmx='+(x?x:'')+'&utmxx='+(xx?xx:'')+'&utmxtime='+new Date().valueOf()+(h? A “hardwood” by definition, poplar is actually relatively soft when compared with a range of hardwoods. So the sonic variables exist not only between woods, but, in subtler degrees, between different guitars made from the “same” wood—which is part of the magic in searching for your dream guitar amid ten of the same model hanging on the guitar store wall. You get mahogany’s smooth, appealing lows with good sustain, as well as the extra clarity, definition, and bite added by the dense maple cap. This light-colored wood with a tightly packed grain doesn’t always carry dramatic figuring, but some examples can be spectacular, as most famously seen beneath the sunburst finish on the carved-maple tops of some Gibson Les Pauls from the late 1950s. There’s a muscular midrange, but also a certain softness and breathiness. and on a 3 or more piece body each piece of wood is less then 5" wide and wood that narrow(@ 1.75 thick the most common thickness for a solid body electric guitar) is unlikely to warp. Longleaf Pine is more than twice as hard as Bass wood and almost as hard as soft maple. The properties of woods used in acoustic guitars will be tackled in another issue. It is a very light and fairly soft wood, and it’s light in color, too, with minimal grain. Also, the mids tend to have a little more openness. Both tend to be denser and heavier, and have a brighter, harder sound that might be more useful when cutting, distorted tones are desired. Affordable and abundant, basswood is particularly associated with mid-level or budget guitars. The solid maple/mahogany body is characteristically rich, warm, and resonant. Mahogany has a warm, mellow tone with good presence in the lower mids. It offers excellent clarity and definition, but has more complex highs than maple, with chunky lows, muscular lower-mids, and an airy, open midrange. The second most common guitar-neck wood after maple, mahogany is most often coupled with a solid mahogany or mahogany/maple-topped body. Reply. Alder has a strong, clear, full-bodied sound, with beefy mids and excellent lows. It is typically used under opaque finishes, but some examples can look good under darker translucent finishes. It also yields great clarity, definition, and sustain. The lighter basswood body sounded more like alder whereas the heavier basswood guitar sounded more like mahogany, if I may use this as an example. © utmx_section("Business Footer"). With a mahogany back contributing some warmth and openness to the brew, this can be a very appealing pairing. Spruce and cedar—the two most common woods for the tops of acoustic guitars—will very rarely come into the picture regarding electric-guitar construction, although makers have occasionally offered semi-hollow electrics with thin spruce tops. Ash from the upper portions of the tree has also been used, as has harder northern ash. In simple terms, rosewood’s contribution to a maple neck smooths and “furs up” the solid-maple sound. But basswood is a good tonewood by any standards, and it has been used by many high-end makers with excellent results. I built a pine tele and it is a great guitar! Harvested in Africa and Central America, mahogany is a fairly dense, medium-to-heavy wood that yields a wide range of guitar-body weights, depending upon stock sources. d.write('-1){var j=c.indexOf(';',i);return escape(c.substring(i+n.length+1,j<0?c.length:j))}}}var x=f('__utmx'),xx=f('__utmxx'),h=l.hash; Messages 2,516. Whether in the form of a solid, one-piece neck with integral fretboard, or a neck with an added fretboard of a second type of wood (usually rosewood), maple is easily the most common type of neck wood used in solidbody guitars. Fender Launches the Triple Pickup-Equipped Troublemaker Tele Deluxe Bigsby, Gibson Lukas Nelson Signature Les Paul Junior Review, Epiphone Announces Reimagined Versions of Classic '60s Hollowbodies, the Casino And Riviera, Essential Plucking Patterns for Fingerstyle Acoustic Guitar, All-Star Peter Green Tribute Concert Film to Be Released in 2021. Solid basswood bodies have a fat, but well-balanced tonality. A very dense, hard wood, ebony makes for a fast attack from the instrument—all else being equal—and it offers a muscular, controlled bass, and snappy, sizzling highs. New York, If you are going to build it yourself you should only buy kiln-dried select pine as the regular lumber yard variety will want to expand and contract. Pine is quite strong, glues well and holds screws well , the only real problem with pine is it dose not take stain or dye well and it can look blotchy if the wood is not prepared properly. Can see by the chart, some pine is as hard as Bass and... 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