This happened in ’88 or ‘89 and those markings are the same ones I’ve used to this day. – Boss DD-3 Digital Delay I traded my roommate (he was in a band called Liquid Jesus). [Tom Morello – Science Friction; GuitarWorld]. – Boss TU-3 Tuner Later on, he brought it with him and used it for practicing during the time he was enrolled at Harvard University around 1982, and continued using it after moving to LA in 1986. Tom is also the co-founder (along with Serj Tankian) of the non-profit political activist organization, Axis of Justice. Discover (and save!) He calls it the “Taco Bell” Les Paul. – Digitech WH-1 Whammy St. George guitars are a sort of a mystery. All of the amps have their Marshall logos covered in black tape. He also removed the original pickups and installed the EMG 85/EMG H set. This is Tom’s main steel string acoustic guitar which he’s been using as The Nightwatchman. Used in Rage against the machine 1991-2000), – MXR Phase 90  Tom used it to record “Tire Me”, paired with a 1960s St. George MP-2. This is the first guitar Tom ever bought. As Tom became more serious about playing he decided it’s time to invest some money in a better guitar. This happened sometime prior to 1990, although we have no exact date. He needed a Marshall head and I needed a guitar that I could tune down, play grunge-worthy heavy riffs with. Finally, I went back to the Marshall head and Peavey cabinet. First one was used in the earlier years and had bare metal finish and two Hot Rails pickups, while his second Steelcaster has Hot Rails in the bridge and Alnico pro II in the neck position and features red star graphic finish. The guitar is completely black and features Morello’s own design on the left of the bridge which combines the Kenyan,Italian and American flags along with the hammer and sickle symbols. Tom used this Marshall as his main amp ever since 1988 when his old Marshall was stolen from his van. The guitar was on sale at the local music shop as sort of a starter-pack (guitar and amp as a combo), and Tom paid one half of the price – which was $50, while his mother paid for the rest. I found that with very simple manipulations, with a very simple pedal, all of the sudden the guitar for me was finding a lot of very new sonic possibilities. The guitar featured five piece maple and walnut laminate body, ebony fingerboard with dot inlays, two humbuckers pickups, black pickguard, gold plated hardware, and a Gibson TP-6 tailpiece. He says: "This is my main drop D tuning guitar for my entire career. The choice fell on a Gibson Explorer with a flat gold finish. The Tom Morello “Soul Power” Stratocaster – based on the modified Designer Series Strat used during his time in Audioslave – features an alder slab body with binding and a "Modern C"-shape maple neck with 9.5"-14" compound radius rosewood fingerboard and 22 medium-jumbo frets. – Marshall JCM 800 2205 50W One feature that is distinctive on this guitar is a kill-switch installed by Tom at the lower horn of the guitar, which can turn the signal of the guitar on and off to create a stuttering sound. Tom’s Kay SG replica featured cherry red finish, plywood body, Bigsby-style tremolo, and two blade pickups. It is decorated with various stickers including the one which is responsible for the guitar’s nickname reading “Sendero Luminoso” – which when translated to English means “Shining Path”. Just ecently, Morello purchased a backup cabinet identical to this one since his old cab started to get a little tired after being used since 1988 or so. It appears to be a standard American Telecaster (he reveals in other interviews it is a 1982 model), with a black finish, white pickguard, and a maple neck. This is the cabinet that Tom uses with his Marshall JCM800, both of which he used almost exlusively since 1988. He also has a red Les Paul which he uses for overdubbing he uses in the more recent days of Nightwatchman. – Marshall Lead 20 Tom’s model is finished in blonde/yellow color, and features two pickups, one of which was replaced with a DiMarzio Super Distortion T. His guitar is also missing the badge on the headstock, so for long time Tom didn’t know the actual model of the guitar, and it was mostly called just “creamy”. Around 1993 he carved the words saying “Arm the Homeless” which quickly became the guitar’s nickname due to lack of actual branding. – GHS Boomers 9 – 46 (used on all guitars with tremolo), – GHS Boomers 10 – 46 (used on other guitars, with a 56 instead of the 46 for the drop-B guitars). Tom gave him a Marshall head, and got this Telecaster in return. I went in there and they only had one Peavey cabinet, so I bought that. The guitar they made is actually pretty much identical to the GA60SCE model which has the AEQ-45 pickup/preamp system, but Tom’s guitar might have some features and specifics which we are not aware of. It is usually played in drop-B tuning. And so the exchange was made, and this is in a song with all the Rage [Against The Machine], Audioslave, Street Sweeper [Social Club], The Nightwatchman songs that are in drop D tuning. – Peavey VTM 4×12 Cabinet This pedal is no longer present on his pedalboard. Killing in the Name, Freedom, Testify, all those that are in drop D, played and written with the band on this. The guitar Tom picked up made a weird high-pitched sound when the toggle was set between two pickups, reason for which was an internal pickup which was picking up this weird noise when it wasn’t supposed to. He also installed a locking-nut to go with the black Ibanez Edge tremolo bridge. Tom Morello (born May 30, 1964) is a Grammy Award-winning American guitarist best known for his tenure with the bands Rage Against the Machine, Audioslave, his acoustic solo act The Nightwatchman, and his newest group, Street Sweeper Social Club. According the the same interview linked above, Tom did some experimenting in 1988/89 but after a while decided to go back to the Marshall and Peavey combo. He was ranked #26 in Rolling Stone’s list of the “100 Greatest Guitarists of All Time.”. Tom has two of these guitars. The result wasn’t what he hoped for, and over next two years he completely modified it to fit his needs, leaving only the body original. The guitar originates from Tom’s roommate, who at the time played in a band called “Liquid Jesus” and was in need of an amp. [Tom Morello Interview by Chris Kies, Premier Guitar December 16, 2008]. It worked on that demo and I’ve loved the sound from that combo to this day—no magical rhyme or reason, but it has worked out for me quite well. Early 80s model that Tom used pretty much his whole career. As it is just a customised stock guitar, it shouldn't be uploaded other than this. Since March 2015 one the guitars can be seen at the Woody Guthrie Museum in Oklahoma. The guitar is basically a cheap Ovation knock-off with steel strings. The guitar is based on the Fender Telecaster model, but features hollow steel body. As the guitar was laying around it accidentally picked up signal from a Korean radio station which ended up as a part of “Sleep Now in the Fire” song. Tom Morello Interview by Chris Kies, Premier Guitar December 16, 2008, Tom Morello – Science Friction; GuitarWorld. This guitar was used for couple of RATM songs, including “Revolver” and “How I Could Just Kill a Man”, as well as for “Exploder” with the Audioslave. This guitar is finished in black and has a matching headstock and features white binding along the top edge of the body, as well as a mirror pickguard. ", Here's also what the guitar looks like stock, same configuration and colors as Tom Morello's (only thing missing are his stickers :-) ) http://i.imgur.com/9LYeYjHl.jpg, Here's Tom Morello using the Tele on "Killing in the Name" This is the first guitar Tom ever bought. The guitar is completely stock except for the pickguard which was removed. – Vox AC30 Reissue Tom had at least two of these. Replaced the Ibanez Flanger when Audioslave was formed), More recent updates — setup used with Ozzy Osbourne and in Prophets of Rage. http://youtu.be/SfZGUdcBBLc?t=4m10s. In it’s original state, the guitar featured a light-blue colored rear loaded Stratocaster-style body and a Performance Corsair neck, two Seymour Duncan JB humbuckers, and the original Floyd Rose chrome unit. 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